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The types of films and videos from East Asia, which center on gay and other queer characters, are the focus of this paper and are broken into three categories: 1) feature films aimed at a mainstream market and the general culture in which they are produced; 2) independent short films and videos shot by gay Asian men; and, 3) a crossover category of features that could be said to be festival or art house films, with a niche market.

London: Pandora, 1994.""Working like a homosexual", camp visual codes and the labor of gay subjects in the MGM Freed Unit." In: Hollywood musicals, the film reader / edited by Steven Cohan. In focus--Routledge film readers."Homo Pomo: The New Queer Cinema." In: Women and Film: A Sight and Sound Reader. It is asserted that these films do not necessarily tell us about the empirical realities of gay lives in East Asian communities, but they do tell us something of what it means to be gay in East Asian cultures.

He calls for an analysis of the tactical responses of (homo)sexual subjects to the historical situation of the exhibition of gay pornography.

"Erasure and Taboo: A Queer Reading of Bonnie and Clyde." In: Arthur Penn's Bonnie and Clyde / edited by Lester D. He suggests that film studies in the heteronormative academy relies on the practice of close analysis to contain the threat and promise of gay pornography and the space where it is shown.

"Of Hags and Crones: Reclaiming Lesbian Desire for the Trouble Zone of Aging." In: Between the Sheets, in the Streets: Queer, Lesbian, Gay Documentary / Chris Holmlund and Cynthia Fuchs, editors. It is this very insistence of gay pornography on highlighting reality, rather than focussing on fantasy, that makes it effective." [Expanded Academic Index] "The promotion of queer studies in Asian countries is discussed.

"Martin Dines explores the relationship between the physical and metaphorical spaces of suburbia and the evolution of modern gay identities across a range of British and American film and fiction, looking at the work of Dennis Cooper, Quentin Crisp, Todd Haynes, Christopher Isherwood, Kevin Killian, David Leavitt, Oscar Moore and Edmund White"--Provided by publisher. London: Pandora, 1994."Shakespeare, Branagh, and the "queer traitor": close encounters in the Shakespearean classroom." In: The reel Shakespeare: alternative cinema and theory / edited by Lisa S. The viewer is never allowed to forget the presence of the camera.

It seems clear that queer theories are marked by intellectual and speaking positions that cannot be so easily divided into dominant or peripheral, East or West, international or local, the West or the Rest." [Psych Info] "Evaluates changing film and mass media presentations of gays and lesbians since 1969 and reviews major scholarship on the topic. "The Talented Poststructuralist: Heteromasculinity, Gay Artifice, and Class Passing." In: Masculinity: bodies, movies, culture / edited by Peter Lehman. "Pussy galore: lesbian images and lesbian desire in the popular cinema." In: The good, the bad and the gorgeous: popular culture's romance with lesbianism / edited by Diane Hamer and Belinda Budge. Where Altman sees this lack of representative depiction as a failing, this article operates from a different basic understanding of the nature and function of cultural representation. It studies five films, the women perform their femaleness and their queerness both offstage and on, creating a new kind of female filmic spectacle"--Provided by publisher. Culture and the moving image "Queer Male Cinema and Feminism." In: Women and Film: A Sight and Sound Reader. Altman also notes in reference to "The Wedding Banquet," the representation of these emergent Asian gay communities is itself notably lacking in these films. "Black lesbian spectatorship and pleasure in popular cinema." In: A Queer romance: lesbians, gay men, and popular culture / edited by Paul Burston and Colin Richardson. pp: 59-78 New queer cinema: an introduction / Michele Aaron -- New queer cinema / B. Pearl -- The characteristics of new queer filmmaking: case study - Todd Haynes / Michael De Angelis -- Camp and queer and the new queer director: case study - Gregg Araki / Glyn Davis -- Art cinema and murderous lesbians / Anneke Smelik -- New queer cinema and experimental video / Julianne Pidduck -- New queer cinema and lesbian films / Anat Pick -- New queer cinema: spectacle, race, utopia / Daniel T. Topics includes the influence of history on gay sexual culture and an analysis of the portrayal of homosexuality in film and literature. Minneapolis, Minn.: University of Minnesota Press, c1996. "Bad Asians: new film and video by queer Asian American artists." In: Countervisions: Asian American film criticism / edited by Darrell Y. Culture and education series"Birth of a Notion: Towards Black Gay and Lesbian Imagery in Film and Video." In: Queer Looks: Perspectives on Lesbian and Gay Film and Video / editors Martha Gever, Pratibha Parmar, John Greyson. New York: Routledge, 1993."Pigs and Provos, Prostitutes and Prejudice: Gay Representation in Irish Film, 1984-1995." In: Sex, Nation, and Dissent in Irish Writing / edited by Eibhear Walshe. Oxford ; New York: Oxford University Press, 1998."What a difference a gay makes: marriage in the 1990s romantic comedy." In: Falling in love again : romantic comedy in contemporary cinema / edited by Stacey Abbott & Deborah Jermyn. Deviant Eyes, Deviant Bodies: Sexual Re-orientations in Film and Video / Chris Straayer. Indeed, as the politics of both the outmoded Confucian family and fractured Chinese nationhood intersect, what the sad young (gay) man rebels against is a political fluctuation which is no longer fixed; as the young man's opposition is no longer fixed, so too does he become alienated even from his own rebellious cause." "The gay take on 'straight' makes its way into the movies; these days heterosexuals are just as likely to be caricatured as homosexuals." The New York Times June 8, 1997 v146 s2 p H1(N) p H1(L) col 3 (51 col in) This article discusses the role of memory on homosexual identity and activism.

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